If Air achieved huge success with the ambient, relaxed, soothing Moon Safari (or “Smug Aspirational Property Show Original Soundtrack” as it is surely known within the BBC and Channel 4), they unleashed a rather different vibe on an unsuspecting audience with 2001’s 10,000 Hz Legend.
I can’t claim to love this album, and I can’t claim that it’s an all-time great, but it manages to both possess and obsess me at times. It paints an aural picture of a world which is bleak, alien, robotic, cold, and touched by ghosts, but at the same time unsettlingly familiar and comfortable. This could represent 20th century fin de siècle ennui, it could reflect my latent misanthropy, or it could just be the inevitable consequence of locking a couple of talented, arty Frenchmen away in a recording studio with a frankly obscene amount of electronic equipment.
Basically, the whole thing is weird, but in an electronic, Gallic, slightly bleak, slightly pretentious way. Which I like.
The openers, Electronic Performers and How Does It Make You Feel? set the tone with otherworldly mixes of swiping percussion, piano, keyboards, disembodied lyrics, and chain-smoking computers. Radian continues in a similar vein, ghostly and pulsating, before unexpectedly going all pleasantly flutey, while Don’t Be Light buzzes in a cheery, perky, schizophrenic kind of way.
My personal highlight is People In The City, which I’m certain is a story of daily city life being torn asunder by a nuclear apocalypse. At least, that’s the story it seems to tell me at 3 in the morning.